tcatzere wrote:HarBal wrote:
All you want is the reverb tail of the impulse response convolved with the difference signal. If you can't figure out whether it does let you suppress feedthrough you should be able to get the same effect by feeding the difference signal through the reverb and subtracting the difference signal from the reverb output. Note also that you must have a stereo reverb effect and if it has a crossover impulse response from L ot R and visa versa it must be different from the L to L, R to R case. If it isn't everything will cancel (because left and right are the same but anti-phase) and you'll get nothing on the output.
Paavo.
Paavo,
How did you accomplish this in Audition? Or better yet, Paavo (although I'm a little reluctant to ask), could you provide the entire step-by-step procedure for this whole L-R thing using Adobe Audition (similar to what Earle did for Sound Forge and Nuendo)? Thanks so much.
Tom
Tom
Let us review the steps:
This is done AFTER Har-Bal
1. Start any multitrack editor and open to blank stereo tracks.
2. Import yoursong.wav into each of the tracks (Both tracks should be exactly the same)
3. Lets just work on Track 1
4.We need to "stereo flip" and "reverse phase" this track.
5. You should not need to adjust the volume for this track although sometimes it may be necessary.
6. Export both tracks together as "Stereo Interleaved"
7. Remove the wave file from track 1 and import the newly formed file you had just created.
8. Now you should be adjusting the volume for the first track so that the sound together from track 1 and 2 appears to be coming from outside your speakers.
9. When you are satisfied with the results, export the track as "Stereo Interleaved" and you are done
Cheers
Earle