Har-Bal Users Forum BBS

Thanks, Paavo, that's good news.

Is there any possibility that you're planning on including a built-in "room accoustics" correction feature in 2.0?

Tom

This is probably a foolish question, but I assume that In addition to the new IntuitQ feature, H-B 2.0 will retain the ability to manually sculpt -- and even use reference files (if desired).

Tom

Earle, I'm currently working on a project with a real nice big bass bottom end. I have already shelved it slightly at about 45Hz. However, there still seems to be some subsonic rumble and muddiness. I thought maybe I would use a high pass filter to remove some of that, but I wasn't sure what the bes...

har-bal wrote:

tcatzere wrote:
Most of the music I do for most companies are now happy to have the RMS level between 11 and 13db's.

Earle

Earle,

I assume that when you refer to these RMS levels, you're talking about "average" levels (not maximum, minimum or total RMS levels). Is that correct?

Tom

Earle,

What would you consider the "typical" RMS level range to be of commercial "pop" music -- i.e., artists such as Celine Dion, Josh Groban, Michael Buble, etc.?

Tom

You have to do both channel swapping and inverting. If you only do one or the other then it wont result in a stereo difference track. You need to do the inversion on the L-R swapped track to get the correct phasing when mixing back together. Paavo. Paavo, It appears that "doogle" became q...

You have to do both channel swapping and inverting. If you only do one or the other then it wont result in a stereo difference track. You need to do the inversion on the L-R swapped track to get the correct phasing when mixing back together. Paavo. Paavo, Regarding the inversion . . . does this mea...

Paavo, Thank you so very much! I really appreciate your taking the time to prepare and provide this. In looking at Step 2, I was wondering if the same thing could be accomplished in the "Edit" view by simply going to "Effects" -> "Channel Mixer" -- then selecting the pr...

Earle, Thanks for the guidelines. I had originally addressed this request to Paavo because I knew he used Adobe Audition, and I was hoping that he might be able to outline the specific "tools" and "procedures" to accomplish all of this with Audition. Nonetheless, I really appreci...

All you want is the reverb tail of the impulse response convolved with the difference signal. If you can't figure out whether it does let you suppress feedthrough you should be able to get the same effect by feeding the difference signal through the reverb and subtracting the difference signal from...

PROBLEM RESOLVED!

Not sure how or why, but I rebooted my computer and everything seems to be working normally again.

Tom

For some reason (all of a sudden), I'm no longer able to toggle the toolbar Reference button -- even when I have an active reference file (wav) loaded. The button is now grayed out -- just won't work. I've never had a problem with this before. I noticed this problem a day or so after uninstalling an...

Thanks, Zumbido, for your input regarding Cre8.

Zumbido- An off topic question on Melodyne Cre8 with regard to ptich shifting and time stretching . . . Is that app specifically intended for use on mono solo insturments and tracks, or can it also be used on a stereo mix? Case in point . . . I'm working on a restoration project (stereo)-- originall...

Thanks, Earle.

Regarding your "reverb" comment . . . are you suggesting that reverb should only be used on individual monophonic tracks and not on complete stereo mixes?

Tom