Frequency Space Conflicts

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tcatzere
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Joined: Sat Sep 11, 2004 10:46 pm
Location: Scottsdale, Arizona

Frequency Space Conflicts

Post by tcatzere »

Are there any general rule-of-thumb guidelines in recording/mixing that would help to minimize individual instrument "frequency space conflicts?"

Tom
har-bal
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Re: Frequency Space Conflicts

Post by har-bal »

tcatzere wrote:Are there any general rule-of-thumb guidelines in recording/mixing that would help to minimize individual instrument "frequency space conflicts?"

Tom


Tom

An important rule of thumb is to remember that every instrument has its own frequency range. When mixing I always low shelf and high shelf based on the range of frequencies a particular instrument covers.There are plenty of charts available that provide this information including the chart on our here on our website.
The object is to prevent frequency overlapping and give each instrumentits own space.
This process eases the mixing phase tremendously

Cheers

Earle
tcatzere
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Joined: Sat Sep 11, 2004 10:46 pm
Location: Scottsdale, Arizona

Post by tcatzere »

Earle,

This is exactly what I was looking for -- thanks so much. One additional question . . . when you say "shelf . . . the range of frequencies a particular instrument covers," are you referring to just the fundamental range -- or should this be the fundamental range up through the 1st -- or maybe even the 2nd harmonic?

Tom
zumbido
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Post by zumbido »

Shelving is good.

But if you are working with, say guitar power chords power chords, you may NOT want to 'shelve' at 82.5 Hz (the fundamental of the low 'E'). If you do, you lose the 'difference' frequencies.

You need to use your ears before you start carving away. But, it is very effective when done well.
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