Compression & Reverb

[tcatzere]

If it appears prudent to apply a little compression to a file, where in the mastering chain should it be applied? And, should it be used before or after Har-Bal -- or doesn't it matter? Also, what about reverb?

[har-bal]

If it appears prudent to apply a little compression to a file, where in the mastering chain should it be applied? And, should it be used before or after Har-Bal -- or doesn't it matter? Also, what about reverb?

Tom

I would do it in the following order.

1. Reverb (Only if needed) This should really be used on the individual tracks
2. Har-Bal
3. Compression (Now the compressor does not have to work hard "Use make up gain)
4. Limiting (Just a little will do)

Cheers

Earle

[tcatzere]

Thanks, Earle.

Regarding your "reverb" comment . . . are you suggesting that reverb should only be used on individual monophonic tracks and not on complete stereo mixes?

Tom

[har-bal]

Thanks, Earle.

Regarding your "reverb" comment . . . are you suggesting that reverb should only be used on individual monophonic tracks and not on complete stereo mixes?

Tom

Tom

That would be best, but of course there are no set rules. The only thing that matters is the end result. If you use it across an entire stereo track, try to use it sparingly.

Here is what matters:

1. How it sounds to the ears of the listener.
2. How it makes them feel.

Cheers

Earle

[har-bal]

Thanks, Earle.

Regarding your "reverb" comment . . . are you suggesting that reverb should only be used on individual monophonic tracks and not on complete stereo mixes?

Tom

Tom

That would be best, but of course there are no set rules. The only thing that matters is the end result. If you use it across an entire stereo track, try to use it sparingly.

1. How it sounds to the ears of the listener.
2. How it makes them feel.

Cheers

Earle