back in the day...

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Ged Leitch
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back in the day...

Post by Ged Leitch »

Hi Earle, just was wondering how mastering engineers used to deal with peaky low end on mixes, without using multiband compression?
say like they have a mix which is fine except the kick and bass gtr are jumping out too much.
how would they have handled that without a multiband?
would they have used a compressor with a sidechain and equalised the sidechain to control the low end? then another compressor to handle the whole mix?
cheers.
zumbido
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Location: Los Angeles
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Post by zumbido »

Probably, they'd send it back to be remixed. :D

For me, that is the best use of Har-Bal.
har-bal
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Re: back in the day...

Post by har-bal »

Ged Leitch wrote:Hi Earle, just was wondering how mastering engineers used to deal with peaky low end on mixes, without using multiband compression?
say like they have a mix which is fine except the kick and bass gtr are jumping out too much.
how would they have handled that without a multiband?
would they have used a compressor with a sidechain and equalised the sidechain to control the low end? then another compressor to handle the whole mix?
cheers.
Ged

Tape had a natural saturation which was comparable to todays term called compression. The wave tips would end up rounded instead of flat topped. The end result was a very pleasing sound to the ear. It would somehow just mesh all the sounds together. The overral sound was fantastic.

You can read more here http://ipsologic.com/briefs/tape_saturation.html

Earle
Ged Leitch
Posts: 46
Joined: Fri Nov 18, 2005 8:32 am
Location: Scotland
Contact:

Re: back in the day...

Post by Ged Leitch »

har-bal wrote:
Ged Leitch wrote:Hi Earle, just was wondering how mastering engineers used to deal with peaky low end on mixes, without using multiband compression?
say like they have a mix which is fine except the kick and bass gtr are jumping out too much.
how would they have handled that without a multiband?
would they have used a compressor with a sidechain and equalised the sidechain to control the low end? then another compressor to handle the whole mix?
cheers.
Ged

Tape had a natural saturation which was comparable to todays term called compression. The wave tips would end up rounded instead of flat topped. The end result was a very pleasing sound to the ear. It would somehow just mesh all the sounds together. The overral sound was fantastic.

You can read more here http://ipsologic.com/briefs/tape_saturation.html

Earle
Earle, your a genius!
cheers for the link mate.
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