Using Har-Bal at the end of the mastering chain

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navizzle
Posts: 1
Joined: Tue Mar 28, 2006 12:44 am

Using Har-Bal at the end of the mastering chain

Post by navizzle »

What do you think about using Har-Bal after running through T-Racks Eq, LinMB, and L2 to even out things as a final touch?

The limiter seems to handle the output level and I leave the Limiter Gain and Volume at 0.0. Am I crushing the file too much? Even big label CDs start sounding bad after listening so closely so much. :shock:
Michael Hansen

Post by Michael Hansen »

I have done somthing like this in the last few masterings. I think this post compression equalization makes sense, specially if you're working with reference curves, since these references mostly already are mastered/compressed.

Here's the steps in my mastering process:

1. If needed: DC offset correction, bitdepth -> 24bit and mild noise removal (remastering)
2. Pre EQ (Harbal) + mild Air, no limiting! I lower the output if needed.
3. Multiband + Parallel Compression
4. Multiband Stereo Balancing/Enhancement
5. Post EQ (Harbal) + Limiting
6. Peak Maximizing (not normalizing..) and eventual 16bit bitdepth conversion.
timejunkie
Posts: 7
Joined: Fri Apr 07, 2006 7:54 am
Location: Ontario, Canada
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Post by timejunkie »

I am curious about this as well.

Can I use "match loudness" after I have eq'd in Har-Bal and added compression (SoundForge) or am I just degrading the signal?

1. Import wav to Har-Bal and EQ (or Intuit Q)
2. Add Air (No more than 20%)
3. Import to Sound Forge and add Compression/Noise Reduction
4. Import back into Har-Bal and match loudnes

Your help is always appreciated.

Cheers,
Chip
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