A question for Earle . . .
If vocals are somewhat buried in a track and the band does not want to re-mix, I assume that using Multi-Band is about the only option available to help lift those vocals out a little.
In this situation, what is the best frequency range to use? And, should I be focusing on the vocal fundamentals -- or the harmonics?
Tom
Lifting vocals out of a track??
Re: Lifting vocals out of a track??
Tomtcatzere wrote:A question for Earle . . .
If vocals are somewhat buried in a track and the band does not want to re-mix, I assume that using Multi-Band is about the only option available to help lift those vocals out a little.
In this situation, what is the best frequency range to use? And, should I be focusing on the vocal fundamentals -- or the harmonics?
Tom
Here is an option.
If the vocalist is a female I use a Q between .20 and .50 at the 6500Hz mark ...for a male vocalist I use the same Q at the 4500Hz Mark
I listen at a very low volume...almost a whisper and start lifing the vocals out.
Works every time

For other instruments I will perform a frequency sweep and start adjusting the Q to isolate it.
Cheers
Earle
Re: Lifting vocals out of a track??
Earle,har-bal wrote:tcatzere wrote:
...almost a whisper and start lifing the vocals out.
In order to get the male vocal where I thought it should be, I had to make about a 5dB increase at 4500Hz. Does this sound excessive to you?
Tom
Re: Lifting vocals out of a track??
Not at all.tcatzere wrote:har-bal wrote:Earle,tcatzere wrote:
...almost a whisper and start lifing the vocals out.
In order to get the male vocal where I thought it should be, I had to make about a 5dB increase at 4500Hz. Does this sound excessive to you?
Tom
You increase to where you fel it needs to be. Again...if you reduce the overall volume to a little above a whisper you can lift the vocals until they are just barely sitting above the track. Funny enough, I am doing that right now with a track a customer brought over.
Cheers
Earle