Educational uses
Posted: Sun May 08, 2005 12:16 am
Har-Bal is a very educational tool. I took sound production classes in college, and I wish they'd had this thing. I have a hard time describing what I hear in a track into words. I'm finding I can load in tracks that I really like the sound of, and tracks that I really hate, and immedately see WHY. Combined with viewing the tracks in SoundForge, I've put together my own guidelines for comrpession, RMS and EQ....the way I like it.
I just finished a very respectable (I think) mixing and mastering of a demo CD for client freinds, and I've had the program for all of 3 days.
They are an acoustic guitar and vocal duo, and I was flailing around with parametric EQ trying to get it to sound decent....just the right bottom end on the guitars without being boomy or dull. Burning tons of coasters to test play on my big home stereo, etc. The 'folk' reference seemed to include a bass (none on their demo) so I picked an example of an album they liked with no bass (Tim and Molly O'Brien's 'way up on the mountain') , and EQ'ed it, especially the bottom end, to come close to the O'Brien CD, but with only a few minor changes to bad peaks and valleys to keep the unique sounds of these clients. I also got the compression and limiting and RMS similar to this CD thru sound forge.
Anyway, i was stunned by the result, doing an A-B comparision of mastered and not. I'm a rank beginner and got a good result, plus learned a bunch for the next time around.
Thanks for this awesome tool and the great price! I feel like I'm learning to put words, or at least a picture, to tracks that I like and don't like.
DAN
I just finished a very respectable (I think) mixing and mastering of a demo CD for client freinds, and I've had the program for all of 3 days.
They are an acoustic guitar and vocal duo, and I was flailing around with parametric EQ trying to get it to sound decent....just the right bottom end on the guitars without being boomy or dull. Burning tons of coasters to test play on my big home stereo, etc. The 'folk' reference seemed to include a bass (none on their demo) so I picked an example of an album they liked with no bass (Tim and Molly O'Brien's 'way up on the mountain') , and EQ'ed it, especially the bottom end, to come close to the O'Brien CD, but with only a few minor changes to bad peaks and valleys to keep the unique sounds of these clients. I also got the compression and limiting and RMS similar to this CD thru sound forge.
Anyway, i was stunned by the result, doing an A-B comparision of mastered and not. I'm a rank beginner and got a good result, plus learned a bunch for the next time around.
Thanks for this awesome tool and the great price! I feel like I'm learning to put words, or at least a picture, to tracks that I like and don't like.
DAN