10
Dec

Thanks to George Robert Schulze Lutum for submitting this FAQ from the Cubase forum: Why is it that monitor speakers don’t seem to thump through the floor as much as hi-fi speakers? Just curious. Put it this way, I have fewer complaints when I play music

Written by JSD. Posted in FAQ

One big problem when mixing is:
Is there enough bass in the mix? Is it too toppy, too squawky, too woolly and muffled?

Well, you don’t know. Even if you had God’s own monitors, you wouldn’t know, because your hearing adapts to the signal, especially if you’re working on a piece for a longer stretch. Your brain EQs your perception to make the sound bearable

As for bass: Normal monitors won’t play back as low as you need them to. You need a tool that will tell you what’s going on in the bass region that is out of your hearing range and your monitor’s playback range. Har-Bal is a mastering EQ and analyzer package for Windows PCs and Macs. First you analyze your mix. The analysis will show how tops, midrange and bass are distributed in your mix.

Now you load a world-class reference mix of a similar musical style, let’s say R&B if you’re doing R&B and you compare the graphs of your mix with the graph of the world-class reference mix.
Then you adjust the graph of your mix to a shape quite similar (similar, not exactly the same) to the reference mix´s graph.

Bob’s your uncle! You are rewarded with a mix that is 100% compatible with the rest of your music style’s greatest successes.

Not too bassy, not too toppy. No need to test it on a million different systems! Finished! And you can be confident that your piece will be played and not taken off the air because it just doesn’t cut it sound -wise. I bought Har-Bal and I recommend this software. They don’t pay me to write rave reports about it. I tried it and I found it worked.

Try it yourself and you will find that it will save you a lot of time and money, You don’t need world-class monitors to make world class mixes. That doesn’t mean that I wouldn’t like some world class monitors for myself

It does mean that world class monitors don’t solve the basic problem of subjective hearing. Har-Bal does, and that will take a great weight off your shoulders, believe you me!

Regards,
Robert

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Har-Bal 3 Manual

For those who are eager to learn more about Har-Bal version 3 the manual can be viewed on line here.
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Har-Bal News

What the Pro’s Say

Clarke’s third law says “Any sufficiently advanced technology is indistinguishable from magic”. That is what you have done!
Chuck McDowell
Chuck McDowell
All I can say is wow!!! Witness the restoration of an old song “Shake that Body Music” I recorded/released in the mid 1980’s. This demonstration of the Har-bal 3.0 software proves this software is nothing short of amazing! When the song was uploaded to Earle, it had no dynamics, no power, or presence. I had absolutely no idea how much Har-bal 3.0 enhances audio until I listened to how it breathed life back into this song! I am extremely impressed and elated that my song was chosen to demonstrate the Har-bal 3.0 software! There is simply nothing on the market that compares. Thanks Earle and Har-bal 3.0!!!
Donald Harris
Rythmn Machine
Donald Harris
“(Har-Bal is) a cleverly implemented tool that fixes EQ problems with astonishing speed and precision…(it’s) is a welcome, important, well-designed program for those who believe mastering has much more to do with subtle response touch-ups than squashed dynamics. Very cool” Craig AndertonEQ Magazine Jan 2004
“Har-Bal is a truly unique program, extremely affordable and probably the quickest and easiest way to balance your audio material.” Ian Waugh, Music Tech MagazineMarch 2004
“Sounds good enough to use on commercial tracks. I found Har-bal an altogether more serious application than any other EQ ripping utility I’ve reviewed to date.” Martin Walker, Sound on Sound MagazineMarch 2004
“Overall, version 2.0 is a huge step forward, since it not only provides the means to improve the sound of your mixes, but also has a very good stab at doing this automatically. I can see IntuitQ being controversial in some mastering circles, but in my opinion the results speak for themselves.” Martin Walker, Sound on Sound MagazineMarch 2006
Overall, although it’s still initially harder to get to grips with than some rival ‘EQ ripper’ utilities, I still prefer Harbal, with its more considered approach to improving the final sound of an audio track, the detail of its manual and tutorials, and its helpful on-line user forum hosted by Har-Bal’s professional mastering and research engineers. It’s a serious tool that can teach you a lot about why your mixes don’t sound like commercial tracks, at the same time as improving them. Martin Walker, Sound On Sound MagazineJuly 2004
I don’t have to take my product to a high-end studio anymore – I have Har-Bal! Tameko StarMusic Dish
Australian developer Paavo Jumppanen has certainly delivered the goods on this one and turned a sceptic into a believer with this awesome piece of software. Har-Bal really does give eyes to your ears. Todd MacalpineOzmusicweed

Mastering Tutorial

The following is a mastering tutorial explaining many tips, tricks and audio mastering secrets. There are a number of methods used to accomplish harmonic balancing or spectral correction. Your tracks will sound their best when they are first processed in Har-Bal before any digital eq or multiband

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