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HomeBlogPage 4

Loudspeaker System Design : Box Tuning

As I alluded to if you happened to read (or at least skim) through the paper I wrote discussing loudspeaker theory, the tuning of a ven...
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Loudspeaker System Design : The Cabinet

Designing the Cabinet for a loudspeaker system is less involved than some people might think. You basically have a limited set of const...
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Loudspeaker System Design : Testing the Mid-Tweeter Crossover

Suffice to say that I've had enough experience with making speakers in the past to know that it is worth testing a physical realisation...
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Loudspeaker System Design : The Complete Crossover

Last time I posted on the crossover design I was hoping to be able to design the woofer-mid and mid-tweeter sections separately. As is ...
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Loudspeaker System Design – A Case for D’Appolite?

A quite popular driver configuration of late is to have the lower frequency drivers in pairs centred around the tweeter in the so calle...
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Loudspeaker System Design – Polar Response and Phasing Issues

Recall from previous discussions that it is my firm belief that the strength of a loudspeaker system lies in uniformity of the polar re...
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Loudspeaker System Design – Enclosure Details and the Woofer / Midrange Crossover

Finally I'm at a point where I can start detailing the design process. The hold up has been trudging through the low frequency model an...
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Loudspeaker System Design Theory

To design my new loudspeaker system with passive crossover, I want to perform modelling to obtain an optimum crossover and enclosure de...
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Loudspeaker System Design – Part 2

Driver Selection The first thing to do when designing a loudspeaker system is to choose drivers. In the days of limited reporting of te...
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Loudspeaker System Design – part 1

A Time to Design A New Loudspeaker System It's been a long time since I last designed and built a loudspeaker system. The year of 1992 ...
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Why buy Har-Bal?

You can immediately view the problem areas of your stereo files and Har-Balize the corrections. If you are serious about your mixes sounding their best, then Har-Bal should be a standard application used in your studio to test every song before final limiting (loudness) is applied. You can’t go wrong!

Latest FAQ's

  • Where should I do most of my processing in Har-Bal 3.0
  • Hi, I bought Har-bal not to long ago and paid $175, now I see it is $125. Is it possible you can match the price and refund the difference?
  • I run a recording studio in South America, and became very interested in Har-Bal for doing “client mix versions” before sending the material to the mastering facility. Is there any Demo Version which I can test so I can verify if it will fulfill what I need?
  • To whomever this may concern, I am having an issue with my purchase of Har-Bal 3.0. It seems that my license is being denied or my order is not being acknowledged.

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  • Home
  • Buy Now
    • Har-Bal Harmonic Balancer
    • Har-Bal Synthetic Space
    • Har-Bal Dynamics Processor
    • Har-Bal Multiband Gate
    • Har-Bal Spatial Pan
  • Try Now
    • Har-Bal Limiter – Free
    • Har-Bal Harmonic Balancer
    • Har-Bal Synthetic Space
    • Har-Bal Dynamics Processor
    • Har-Bal Multiband Gate
    • Har-Bal Spatial Pan
  • Product Info
    • Har-Bal Harmonic Balancer
      • Frequency Chart
      • Purchasing Options
      • Harbal Upgrade
      • Document Downloads
      • Har-Bal Videos
      • Reasons to Buy
    • Har-Bal Synthetic Space
      • Introduction to Har-Bal Synthetic Space, an AU and VST reverb plugin
      • An Example use of Har-Bal Synthetic Space
      • Har-Bal Synthetic Space Manual
    • Har-Bal Dynamics Processor
      • Introduction to Har-Bal Dynamics Processor
      • Har-Bal Dynamics Processor Help
    • Har-Bal Multiband Gate
      • Har-Bal Multiband Gate
      • Har-Bal Multiband Gate Help
    • Har-Bal Spatial Pan
      • Har-Bal Spatial Pan
      • Har-Bal Spatial Pan Help
    • Har-Bal Limiter
      • Har-Bal Limiter Help
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